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Sponsored Products are advertisements for products sold by merchants on On its own, it would be a supreme technical accomplishment to develop a 755 megapixel sensor that shoots at 300 frames per second with 16 stops of dynamic range (for reference, the latest ARRI and RED cinema cameras top out at 19 and 35 megapixels, respectively).But those outlandish traditional specifications might be the The headline, as Jon Karafin, Head of Light Field Video at Lytro, explains, is that Lytro captures "a digital holographic representation of what's in front of the camera." Cinematography traditionally "bakes in" decisions like shutter speed, frame rate, lens choice, and focal point.The image is "flattened." By capturing depth information, Lytro is essentially turning a live action scene into a pseudo-CGI scene, giving the cinematographer and director control over all of those elements To fully understand the implications of light field photography requires a lengthy video demo…When you click on a Sponsored Product ad, you will be taken to an Amazon detail page where you can learn more about the product and purchase it.To learn more about Amazon Sponsored Products, click here.
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Since Lytro first teased their Cinema Camera earlier this month, articles have been written. Lytro's presentation at NAB 2016 was standing room only and hundreds were turned away.
Several press outlets did write-ups of the demo; we’ve been writing about the technology concept for five years.
But words don't do it justice: you have to the new Lytro cinema system in action, including its applications in post-production, to understand just how much this technology changes cinematography forever.